ERIKA CANN
  • Works
    • Sculpture
    • Soft Catch
    • Technofossils
    • Being, in touch
    • Underland
    • the foot sinks into it
  • Curatorial
  • About/CV
  • Contact
  • Works
    • Sculpture
    • Soft Catch
    • Technofossils
    • Being, in touch
    • Underland
    • the foot sinks into it
  • Curatorial
  • About/CV
  • Contact
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Soft Catch: Sling (2026), climbing wall panels, bamboo, resistance band, rocks and fossils
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Basin (2026), Celotex, Onyx ashtray, toothpaste
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Soft Catch: Water Wing (2026), climbing wall panels, tent pockets, armband, paper pulp, mortar
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Palate Cleanser (2026), ceramic soap dish, imperial mint, nail polish
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​Dancing Ledge (2026), climbing wall fragments, fossilised shell, polypropelene rope
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Awning (2026), tent window, pine, nylon paint, guy rope, boulder containing fossil
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Gems in a Granite Setting (2026), climbing wall fragments, earring studs, granite fragments, neon paint
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​Geological Positioning Systems (2026), window phone holder, found rocks, forest air freshener
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River Stone (2025), water pipe, limpet and razor clam shells, bike reflector, pebbles (tumbled and not), golf ball, climbing hold, ammonite partially encased in rock, ammonite fragment, fossilized ripple, walking pole basket, sticks, cords
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Anchoring (2023), Ammonite fragment, Belemnites, accessory cord, carabiner
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Core / Crater / Cone / Batholith (2023)
Volcanic 'Trap' stone, handmade paint using volcanic earth pigment, sketchbooks and paintbrushes.
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Four lidded bowl formations made from volcanic stone with handmade watercolour paint using volcanic earth pigments. The sculptures were installed outside and visitors were invited to paint using the pigment as a response to their immediate surroundings and the geologies beneath them.
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  • Works
    • Sculpture
    • Soft Catch
    • Technofossils
    • Being, in touch
    • Underland
    • the foot sinks into it
  • Curatorial
  • About/CV
  • Contact